The brass Sally masks are finally ready to go!
For sale from Souled Out Studios at 4pm GMT.
With so many great finish options we decided to just pick two and roll with those. First; white, no questions asked.
Second:, copper. It was a popular choice among you instagrammers out there, but as soon as we had them we decided they could be even better.
We agreed that the best thing about copper is how it can take a beating over time and come out looking even better.
They’ve been scrubbed, stripped, baked, blow-torched, dumped in acidic baths – repeatedly until a naturally, authentically aged patina was achieved.
For this reason the copper plated brass masks all vary to some degree.
Individually cast in brass, presented in hand wrapped linen boxes with signed COAs.
Presented on a hand printed pull out linen backing board for anyone wishing to mount and frame.
Souled Out Studios have really gone to town making sure every last detail is right and I’m so happy with how these have turned out.
Below are some photos of the process:
After what feels like a scarce heartbeat, I’m back in Bangkok to pick up on the work Souled Out Studios and I started exactly a year ago.
The plan back then at least, was to produce a Sally Doll cast in bronze. The staggering array of resources available from Souled Out Studios and Bangkok both quickly nudged the idea into a small traffic jam of opportunities we couldn’t bear to skip over.
Among currently tangible projects of sculptures, masks and etchings, there’s also been the task of gathering (or more realistically hunting) packaging materials. Because that shit is tasty and Bangkok is the best place for it. Added to this is Beejoir’s attitude that just about anything is possible – which is like oil in my miserable, defeatist water. You know, nice buttery oil that makes you want more.
We’ve been squirming through the warren of market stalls at Chatuchak (hot) and China Town (stifling) and I’ve never had more fun on a mission borne of work.
True to character, when Beejoir needed an hour to source some of his own materials, we split up and I, the dutiful glutton that I am, leopard crawled over to the nearest plastic chair and waited for a menu to present itself.
So far, so good.
As the Pound crashes ever lower, I’m offering free global shipping on my bigcartel store this October
Keep an eye on the store as I’ll be adding to it over the next week – and if anything strikes you, use the code ‘OUCH’ for free shipping.
Butch Anthony and I have partnered up for Modern Eden’s latest 20/20 project. The show opens tonight (6–9 PM) and features the collaborative work of 17 artists and their chosen partners.
It’s frankly thrilling to work with another artist whose work I love so much.
“I think we are in way over our heads” (above)
Oil and ink on canvas
20″ x 20″
Sales enquiries: Info@ModernEden.com
Exhibition Dates: September 12–October 3, 2015
801 Greenwich Street @ Mason and Columbus
San Francisco, CA
Regular Gallery Hours: 10 – 6 Tuesday – Saturday
How things went before I sent the canvas to Butch in Alabama for some vat improvements.
Ivy, my latest Tribe commission
10″ x 10″
oil and ink on canvas
If you would like to discuss a Tribe commission, please get in touch.
to everyone who made a donation to Humane Society International.
It means more to me than I can say.
The winner is Robert Knight.
The Late Shows draw closer and bring with it my deadline; I’ll have the evening of May 15th to gut Studio 32 and fill it with my own work.
It feels strange to show in the building I work in- stranger still to do it in a studio that isn’t mine. Like I’m hosting a dinner party in a neighbour’s house while my own family huddle in a locked shed outside.
I’m excited about this.
Curated by Gary Pressman of Corpro Gallery and Andrew Hosner of Thinkspace, ’20 Years Under the Influence of JUXTAPOZ’ is a group show celebrating exactly what it says on the tin.
Opens Feb 22nd – April 19th at LAMAG; Los Angeles Municipal Art Gallery
4800 Hollywood Blvd.
Los Angeles, CA 90027
To attend the opening, please email
Submit full names and get there as close to the opening at 6:00PM to assure entrance since the museum can only admit to capacity.