Wider Than A Postcard at Breeze Block Gallery

Opening tonight at Breeze Block Gallery in Portland OR is Wider Than A Postcard, a mammoth group show curated by Sven Davis.

The brief was to submit something in the form of a postcard with the basis being a place of residence, current or past.

Here’s mine;

‘Keep Doors Locked and Windows Closed’ – growing up in Cape Town, South Africa
Gouache on 220gsm card
6″ x 4″


front


back

2 May – 1 June 2013
323 NW 6th Ave.
Portland, OR 97209

“It is not easy writing
someone a postcard.
The size and shape
of the card cut you
down to size…”
—Ron Padgett ‘Postcard’

For pre-sales or press inquiries, please email Paige Prendergast, paige@breezeblockgallery.com


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“you killt me?”


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Secret 7″

Edit: when I first posted this I neglected to say that I’ve submitted a cover. So, yes. There’s some gouache going on up in that shit.

——

The Secret 7″ are launching their second exhibition tomorrow in the run up to Record Store Day next week.

How it works is like this; The mind(s)* behind Secret 7″ select 1 track by 7 different artists and press 100 of them onto vinyl.

Artists and illustrators are invited to pick a track and design a cover. The sleeves and the records they contain will be on show for 7 days – the tracks along with the artist responsible for the work are kept secret until they are sold.

Every record will go on sale for a flat £40 on Record Store Day (April 20th) and (here’s the important bit) all proceeds will be going to Art Against Knives.

Apparently such art giants as Ai Wei Wei and Gilbert and George have sent work. If you want to see if you can pick them out of a crowd, have a look at the Secret 7 website and let me know how you get on.

I’ve had a quick look at what’s available and have picked a few that caught my eye. I have no idea who is responsible for them. Actually, if anyone makes it down to the show and sees that the girl and the lily pads (below) hasn’t sold yet, I would be eternally grateful if you could pick it up and let me buy it from you.

Secret 7″
Sat Apr 13 – Sun Apr 21
Downstairs at Mother
Biscuit Building, 10 Redchurch St, E2 7DD
www.secret-7.com

*Kevin King, I think




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Fresh Gouache

I’ll be putting a few more gouache pieces in my big cartel store today.

Have a lovely Easter weekend!

Remember: If we all eat the same amount of chocolate, it gets cancelled out and the calories don’t happen, so take one for the team.

Unlucky, gouache candice tripp

Unlucky
20 x 28.2 cm

You Did This, candice tripp painting

You Did This
21 x 29.6 cm

Coolsville, Candice Tripp painting

Coolsville
19.8 x 23.6 cm

The Family, candice tripp painting

The Family
21 x 29.6 cm

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Collaboration with Giles Walker

There I am, playing Leatherface.

This November (pending date confirmation) Giles Walker and I are going to install some moving doo-dads in an underground London venue in a collaborative effort at art-making.

Seeing that I’ve never worked in 3D, let alone on anything that requires a power source, I’m like “what do you need from me? Give me a shopping list”
And Giles is all “we need windscreen wiper motors”

So, I watched a youtube video on how to remove front wiper motors from cars, put on my “please don’t rob me blind because Giles has told me more or less how much these should cost” face and asked Ideal Brown to take me to the scrap yard with his tools.

Luck; we found motors
Double luck; they were already extricated from their written-off mothers.

It was cold and muddy and cold and sort of unnerving because a lot of those cars looked as though whoever was driving them at the time had taken their final journey too.


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Studio Clear Out

——-
*update: This went way better than I expected! Thanks to everyone who picked up a piece or who has expressed interest in the next batch. There will be more on the way in the future. x

——-

This weekend I’ll be putting some of my gouache paintings up for sale in my shop. Free shipping, world wide.

Hey, Fat Boy! Candice Tripp art for sale

Hey, fat boy! detail Candice Tripp paintings for sale

Hey, Fat Boy
Gouache on 220 gsm paper
21 x 29 cm
sold

Wasted days gouache painting Candice Tripp

Wasted Days
Gouache on 220 gsm paper
21 x 29 cm
sold

The Idea Guy

The Idea Guy
Gouache on 220 gsm paper
21 x 29 cm
sold

“Back to your branch, Bert”
Gouache on 220 gsm paper
21 x 8.6 cm
sold


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It’s Here; There Must Be Something In The Water Print

new print from Candice Tripp

They’re ready!

Edition of 75, signed and numbered
Combination giclee screen print on Somerset Satin Paper 300gsm
70 x 72 cm
£275

As usual, there’s a hand-finished gold edition too;

Edition of 25, signed and numbered
Combination giclee screen print on Somerset Satin Paper 300gsm
Hand Applied 24ct Gold Leaf and gold ink detail
70 x 72 cm
£375

Both are available to buy from Black Rat Projects

Spring Cleaning;

I’ll also be putting some smaller gouache paintings up for sale in my shop this weekend.


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proofing

Ever since first seeing combination prints on the Jealous website, I’ve been wanting to produce my own.

We’ve been splitting hairs every inch of the way on this one and I think it really paid off. There was a lot of “more white” and “less raspberry” among other such non-specific requests. What we finally have is a giclee print with (you guessed it) with black elements screen printed over the top.

As usual we’re also releasing a hand finished edition of 25, which have hand applied 24 carat gold leaf detail (I can’t get my head around the carat factor) along with some trademark gold ink work.

—-

On the topic of giclee prints and whether or not they’re too sterile (or BRILLIANT – my opinion) you need only glance sideways at an art forum to see that lots of people either hate them as if they were made with the blood of sacrificial human babies or just calmly agonise over how they’re different to “just running one off on my ink jet at home” which is a totally reasonable thing to think – for those still wondering, I found this to be really interesting; it’s a break down of what goes into a Josh Keyes giclee print.


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Mailbagg: Skulls

I can’t get over how nice my collectors are.

Rabbit Skull from Richard

After emailing to let me know that he received his “Boo” and *Thuk* prints, Richard Gwynn asked if I might be at all interested in a perfectly bleached, picked-dry rabbit skull he found whilst out (adventuring) with his sons.

As Ideal Brown says “fuck, that’s nice of him”.

Rabbit Skull Candice Tripp

In less than a year my skull collection has gone from 0 to 4, including of the arrival of this;

Cat Skull No 1 from Brad

At Christmas another delivery spontaneously arrived containing 3 boxes of poptarts (the only gluten related stomach ache really worth having) mint peeps, tootsie roll lollies and this terrifying thing. America is so good at confectionary. And Brad is so good at skulls (I feel it is worth nothing that without Brad, my collection would be only half as big and varied)

Cat Skull Candice Tripp

Also: Aren’t boxes the best?

Cat Skull No 1

cat in a box


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Mailbagg: art swaps

Sightseers soundtrack on vinyl from Luke Insect

Sighsteers OST 12 inch vinyl, Luke Insect and Kenn Goodall

A combination of apathy towards my current music collection, laziness in trying to source new music and working with Spencer Hickman of Death Waltz has changed my niggling post-cinema thoughts of “I liked the sounds in that film” to “I want that soundtrack, right now, to actually listen to and enjoy because that is a reasonable want”

I’ve felt this way about a bunch of films recently, but most notably Sightseers had me hissing in my boyfriend’s earcheek “THISSOUNDRACK ISCOO” and it left an impression on me so lasting that I didn’t immediately forget it as I left the Tyneside Cinema. In fact, I wanted it (along with the Berberian Sound Studio) so badly that it was enough to make me finally want to sort out the gaping hole in my life that is the absence of a means to play vinyl.

I was like “Fuck. I want that soundtrack”

In a smooth Christmas move Ideal Brown and Cal sorted me right out and I am finally set to listen to my one record: the Let The Right One In OST.

Sadly the Sightseers soundtrack was sold out. Long sold out. Fuck, it’s red vinyl, limited to 150 copies with the cover work by Luke Insect and Kenn Gooddall acting under the title “Twins of Evil”. Of course it’s sold out.

And before anyone tells you that sitting on your arse and complaining about the things you cannot change is silly, I did just that on twitter a full two months after coming to terms with the fact that I had missed out when Luke Insect responded, suggesting an art swap. I nearly shat with delight.

After explaining just how impossible it was to get hold of, Ideal Brown jokingly asked the vinyl version of “would you eat a chicken to save another chicken?” and queried if I’d ever play such a collectible soundtrack. On a turntable I wanted purely so that I could listen to such a soundtrack.

Imagine that. Finally getting a record player and finding out I had access to a soundtrack I can’t source anywhere else – only to never listen to it, to keep it pristine.

Call me an asshole of the 80s who grew up with small shiny soulless rainbow discs, but it seems to me that there’s some degree of honour in playing the living shit out of your vinyl. No? Then once it’s truly dead, you frame it and hang it like the head of a great moose you messily shot that took ages to die.

Legsy Levin print from Eelus

Legsy Levin print by Eelus Freakshow projects

I really scored with this as well. Fucking Eelus sent me a veritable goodie bag! The deal was to swap prints, but he sent me Legsy Levin (a screen print I’ve wanted since his first instagram of it in it’s infancy), one of his Don’t Panic posters, stickers AND a copy of Dog Milk.

I’m so stoked.

Thank you both! x


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