Hand-finished There Used to Be More of Me - Screenprint
Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint Hand-finished There Used to Be More of Me - Screenprint
£250.00
Printing process animated GIF Hand finishing process animated GIF

“There Used to Be More of Me” - Hand-Finished Limited Edition Screenprint

Print Details:

  • Medium: Single-colour hand-pulled screenprint on heavyweight 300gsm art paper, finished with matte UV varnish and individually hand-finished by Candice in fluorescent pink acrylic ink.
  • Edition: Limited edition of 15 prints. Each is hand-signed, numbered, and uniquely embellished by the artist.
  • Dimensions: Image size approx. 40 × 30 cm (15.7″ × 11.8″). Paper size 54.5 × 44 cm (21.5″ × 17.3″), including a 7 cm (2.7″) white border suitable for framing.
  • Year of Creation: 2023 (original artwork in acrylic ink on claybord).
  • Price: £250.00 (unframed). Price includes VAT; shipping calculated at checkout.

Shipping & Delivery:

Each hand-finished print is carefully packaged to ensure safe delivery. Worldwide shipping is available - prints ship rolled in a sturdy tube or flat packed with protective backing, via tracked and insured mail (signature required on delivery). Please allow 5–7 working days for dispatch. For express delivery or special requests, please contact us to make arrangements.

About the Artist:

Candice Tripp (b. 1985) is a UK-based South African artist living and working in Newcastle upon Tyne. Employing childhood motifs, she explores human behaviour and interaction through a lens shaped by her fascination with narrative, symbolism and psychological tension. Her work reimagines modern pack mentality and groupthink by presenting subjects as credulous characters reminiscent of folklore.

Working in both oil painting and sculpture, she presents raw, sobering themes as childhood interactions and narrative forms, playing with literality and the unvarnished truth. Tripp’s distinctive visual language remains unmistakable: playful yet macabre, emotionally rich and visually unsettling. Her blend of narrative, darkness, and delicacy has earned her international recognition and a loyal following in contemporary art.

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